Upcoming

2017

Jan 7 Natura Morta (piano quartet, 2015). Musiqa, Zilkha Hall, Houston, Texas.


Jan 28 Mind the Gap (prélude #16), Mind the Gap (prélude #17) and Mind the Gap (prélude #19). Yukiko Sekino, piano. Williams Hall, New England Conservatory, Boston, Massachusetts.

Jan 29 Compass (saxophone quartet, 2010). Prism Quartet, Slosberg Hall, Brandeis University, Waltham, Massachusetts. 1 pm.

Feb 7 The Ladies Who Lunch (2010, Liaisons Project). Anthony de Mare, piano. Evolution Contemporary Series, An Die Musik, Baltimore, Maryland.

Feb 12 Moody's Blues (étude #52, 2003), Fists of Fury (étude #25, 1999), A Gliss is Just a Gliss (étude #30, 2000) and Absofunkinlutely (étude #68, 2005). Kara Huber, piano. Renwick Gallery, Smithsonian American Art Museum, Washington, DC. 3 pm.

Feb 17 Mind the Gap (prélude #16), Mind the Gap (prélude #17) and Mind the Gap (prélude #19 ). Yukiko Sekino, piano. Blue Bamboo Center for the Arts, Winter Park, Florida.

Feb 18 Mind the Gap (prélude #16), Mind the Gap (prélude #17 *premiere*) and Mind the Gap (prélude #19 *premiere*). Yukiko Sekino, piano. Atlantic Music Center, Melbourne, Florida.

Feb 24 Mind the Gap (prélude #18), Ghepardo (prélude $48 *premiere*), Wayo (prélude #51). Sarah Bob, piano. St. Cloud State University, St. Cloud, Minnesota.

Feb 26 Moody's Blues (étude #52, 2003), A Gliss is Just a Gliss (étude #30, 2000) and Absofunkinlutely (étude #68, 2005). Kara Huber, The Salon, Philadelphia, Pennsylvania.

Mar 1 Fists of Fury (étude #25, 2000). YouKyoung Kim, Hastings International Piano Competition Semi-Finals, Hastings, England, United Kingdom. 11:35 a.m.

Mar 2 Moody's Blues (étude #52, 2003), Fists of Fury (étude #25, 1999), A Gliss is Just a Gliss (étude #30, 2000) and Absofunkinlutely (étude #68, 2005). Kara Huber, piano. Silk Purse Arts Centre, West Vancouver, British Columbia, Canada. 10:30 am.

Mar 4 Mind the Gap (prélude #18), Ghepardo (prélude #48), Wayo (prélude #51). Sarah Bob, piano.  Radius Ensemble, Pickman Hall, Longy School of Music, Cambridge, Massachusetts.


Mar 4 Absofunkinlutely (étude #68, 2005) and Dorian Blue (étude #72, 2006). Amy Briggs, piano. Dairy Center for the Arts, Boulder, Colorado. 7:30 p.m.

Mar 4 Moody's Blues (étude #52, 2003), Fists of Fury (étude #25, 1999), A Gliss is Just a Gliss (étude #30, 2000) and Absofunkinlutely (étude #68, 2006). St. Mary the Virgin, Oak Bay, British Columbia, Canada. 7 p.m.

Mar 5 Moody's Blues (étude #52, 2003), Fists of Fury (étude #25, 1999), A Gliss is Just a Gliss (étude #30, 2000) and Absofunkinlutely (étude #68, 2006). Kara Huber, piano. St. Michael's Church, Chemainus, British Columbia, Canada. 2 pm.


Mar 9 Martler (étude #14, 1997). Sound on the Edge, Ilshin Hall, Seoul, South Korea. 7:30 pm.

Mar 9 Mind the Gap (prélude #18), Ghepardo (prélude #48), Wayo (prélude #51). Sarah Bob, piano.  JPCH, Jamaica Plain, Massachusetts.

Mar 13 Zipper Tango (étude #51, 2002) and Moody's Blues (étude #52, 2002). Radoslawa Jazik, piano. Steinway Hall, New York, New York.

Mar 16 Moody's Blues (étude #52, 2003), Fists of Fury (étude #25, 1999), A Gliss is Just a Gliss (étude #30, 2000) and Absofunkinlutely (étude #68, 2005).  Kara Huber, piano. Weill Recital Hall at Carnegie Hall, New York New York.


Apr 1 Compass (saxophone quartet, 2010). Prism Quartet, Paradigm Lost CD release concert. Marc A Scorca Hall at the National Opera Center, New York, New York.

Apr 2 Compass (saxophone quartet, 2010). Prism Quartet, Paradigm Lost CD release concert. Settlement Music School, Philadelphia, Pennsylvania.


Apr 9 Entre nous (oboe and string quartet, 2016 *premiere*). Boston Chamber Music Society. Sanders Theater, Cambridge, Massachusetts.


Apr 17 Public talk, University of Utah.


Apr 17 Hyperblue (piano trio, 1991-93) and Natura Morta (piano quartet, 2015). Maurice Abravanel Visiting Distinguished Composer Series concert. Canyonlands Ensemble, University of Utah, Salt Lake City, Utah.


Apr 29 Violin Concerto No. 2 (2015-6, *premiere*). Danielle Maddon, violin. New England Philharmonic Orchestra, Richard Pittman, conductor. Tsai Performance Center, Boston, Maassachusetts.


Apr 29 Sesso e Violenza (2 flutes, string trio, piano, and percussion, 1996). Alexa Still and Tim Munro, flute soloists. Oberlin Contemporary Music Ensemble, Tim Weiss, conductor. Klonick Hall, The Kohl Building, Oberlin, Ohio.

Apr 29 Compass (saxophone quartet, 2010). Prism Quartet, First Presbyterian Church, Ann Arbor, Michigan.

May 1 Thickly Settled (clarinet, violin, 'cello and piano, 2011). Da Capo Chamber Players, Merkin Concert Hall, New York, New York.

May 20 Selected études. Kara Huber, piano. Freiman Hall, University of Ottawa, Ottawa, Ontario, Canada.

June 8 Mind the Gap (prélude #18), Ghepardo (prélude #48), Wayo (prélude #51). Sarah Bob, piano. Edward H. Linde Gallery, Museum of Fine Arts, Boston, Massachusetts. 6 pm.

June 11 Mind the Gap (prélude #16), Mind the Gap (prélude #17) and Mind the Gap (prélude #19 ). Yukiko Sekino, piano. First Parish in Lexington, Lexington, Massachusetts. 2 pm.

Nov 13 Anniversary (piano solo, 2016). Lara Downes, piano. Classical Recording Foundation Awards, National Sawdust, Brooklyn, New York.

Dec 2 Anniversary (piano solo, 2016). Lara Downes, piano. Leonard Bernstein Marathon, Elebash Recital Hall, The Graduate Center, New York, New York.

2018

Jan 20 Anniversary (piano solo, 2016). Lara Downes, piano. Mondavi Center, UC Davis, Davis, California.

Jan 27 Anniversary (piano solo, 2016). Lara Downes, piano. Chamber Music Raleigh, Raleigh, North Carolina. 

Feb 4 Anniversary (piano solo, 2016). Lara Downes, piano. Mendocino College, Ukiah, California.

Feb 7 Anniversary (piano solo, 2016). Lara Downes, piano. National Sawdust, Brooklyn, New York.

Feb 10 Arabesques I Have Known (Pierrot ensemble plus percussion, 2016). Ecce Ensemble, Boston Conservatory, Boston, Massachusetts.

April 28 Water (movement from Symphony #7, 2017). New England Philharmonic, Richard Pittman, conductor. Tsai Performance Center, Boston, Massachusetts.