Upcoming


2018

Jan 20 Anniversary (piano solo, 2016). Lara Downes, piano. Mondavi Center, UC Davis, Davis, California.


Jan 27 Anniversary (piano solo, 2016). Lara Downes, piano. Chamber Music Raleigh, Raleigh, North Carolina. 


Feb 4 Anniversary (piano solo, 2016). Lara Downes, piano. Mendocino College, Ukiah, California.


Feb 7 Anniversary (piano solo, 2016). Lara Downes, piano. National Sawdust, Brooklyn, New York.


Feb 10 Arabesques I Have Known (Pierrot ensemble plus percussion, 2016). Ecce Ensemble, Boston Conservatory, Boston, Massachusetts.


Feb 13 The Ladies Who Lunch (2010, Liaisons Project). Ryan Kelly, piano. Snow Recital Hall, BYU-Idaho Campus, Rexburg, Idaho.


Feb 21 Riccio (Prélude #43, 2014), In A Regal Age Ran I (Prélude #6, 2010), Pull a Wall Up (Prélude #4, 2011) and Mind the Gap (Prélude #15, 2012) . Geoffrey Burleson, piano. Strauss Performing Arts Center, University of Nebrasks-Omaha, Omaha, Nebraska.


Mar 4 Riccio (Prélude #43, 2014), In A Regal Age Ran I (Prélude #6, 2010)Pull a Wall Up (Prélude #4, 2011) and Mind the Gap (Prélude #15, 2012) . Geoffrey Burleson, piano. The Cell, New York, New York. 4 pm.


Mar 21 Riccio (Prélude #43, 2014), In A Regal Age Ran I (Prélude #6, 2010), Pull a Wall Up (Prélude #4, 2011) and Mind the Gap (Prélude #15, 2012) . Geoffrey Burleson, piano. Camerata Hall, Sibelius Academy, Helsinki, Finland. 7 pm.


Mar 25 Cell Division (étude #51) and A Gliss is Just a Gliss (étude 30). Yukiko Sekino, piano. Jordan Hall, Boston, Massachusetts.


Apr 7 Breakdown (piano quartet, 2013 *premiere*). Zanzara (Prélude #44), Canary (Prélude #68), Bump (Prélude #28), Alce Americano (Prélude #46) and Zap (Prélude #26)  all *premieres*. CIM New Music Ensemble, Keith Fitch, director. Maria Paolo Parrini, piano. Music Settlement, Cleveland, Ohio. 9:30 pm.


Apr 7 The Ladies Who Lunch (2010, Liaisons Project). Anthony de Mare, piano. Reston Community Center, Reston, Virginia.


April 15 Breakdown (piano quartet, 2013); Zanzara (Prélude #44), Canary (Prélude #68), Bump (Prélude #28), Alce Americano (Prélude #46) and Zap (Prélude #26), all *premieres*; Arabesques I Have Known (Pierrot plus percussion, 2016). CIM New Music Ensemble, Keith Fitch, director. Maria Paola Parrini, piano. Cleveland Institute of Music, Cleveland, Ohio. 4 pm.


Apr 28 Water (first movement of Symphony #7, 2017 *premiere*). New England Philharmonic, Richard Pittman, conductor. Tsai Performance Center, Boston, Massachusetts.

May 10 Sesso e Violenza (two flutes, piano, percussion, string trio, 1996). Oberlin Sinfonietta, Timothy Weiss, conductor. Warner Concert Hall, Oberlin Conservatory, Oberlin, Ohio.

May 12 Anniversary (piano solo, 2016). Norman Jacobs, piano. Der Bunglehoff, Hove, United Kingdom.

May 25 The Ladies Who Lunch (2010, Liaisons Project). Anthony de Mare, piano. 21C After Hours, Temerty Theater, The Royal Conservatory, Toronto, Ontario, Canada. 10:30 p.m.


Jun 1 Anniversary (piano solo, 2016). Lara Downes, piano. St. Paul's Chapel, Trinity Wall Street, New York, New York. 1 pm.

Jun 3 Anniversary (piano solo, 2016). Lara Downes, piano. National Museum of American Jewish History, Philadelphia, Pennsylvania. 7:40 pm.

Jun 4 Anniversary (piano solo, 2016). Lara Downes, piano. WGBH Fraser Performance Studio, Boston, Massachusetts. 7 pm.

Oct 5 The Ladies Who Lunch (2010, Liaisons Project). Matthew McCright, piano. Carleton College, Northfield, Minnesota.

Oct 23 Colloquium, University of Chicago. Chicago, Illiniois.

Nov 3 Sonnet 22 (SATB chorus, 1976). The Master Singers of Lexington, Adam Grossman, conductor. Pilgrim Congregational Church, Lexington, Massachusetts.

Nov 4 Pull a Wall Up (prelude #4), Riccio (prelude #43), In a Regal Age Ran I (prelude #6) and Ain't Got No Right (etude #67). Geoffrey Burleson, piano. Libby Gardner Concert Hall, University of Utah, Salt Lake City, Utah. 3 pm.

Nov 15 The Ladies Who Lunch (2010, Liaisons Project). Matthew McCright, piano. Westminster College, New Wilmington, Pennsylvania.

Nov 17 Mikronomicon (Pierrot plus percussion, 2009). Geoffrey Burleson, piano/melodica. Boston Musica Viva, Richard Pittman, conductor. Tsai Performance Center, Boston, Massachusetts.

Dec 5 The Ladies Who Lunch (2010, Liaisons Project). Matthew McCright, piano. Old Church Series, Portland, Oregon.

Dec 7 Lee (fl/picc, ob, cl/bcl, asax/barsax, hn, 2 perc, hp, pno, string quartet, 2018). Grossman Ensemble, Ben Bolter, conductor. Logan Arts Center, Chicago, Illinois.

Dec 17 Dream Logic (Pierrot plus percussion, 2017) *premiere*; Two Can Play That Game (bcl & marimba, 1995); Jangle (prélude #24), A Gliss is Just a Gliss (étude #30), Dorian Blue (étude #72), Slate (prélude #66). New York New Music Ensemble, Resnick/Pasloff Foundation, New York, New York.

2019

Feb 1 Colloquium, Pittsburgh University, Pittsburgh, Pennsylvania.

Feb 2 Thickly Settled (clarinet, violin, cello, piano, 2011). Da Capo Chamber Players. The Andy Warhol Museum, Pittsburgh, Pennsylvania.

Feb 10 Dream Logic (Pierrot ensemble plus percussion, 2017). Collage New Music, David Hoose, conductor. Pickman Hall, Longy School of Music, Cambridge, Massachusetts.

Feb 14 Compass (saxophone quartet, 2010). Iridium Saxophone Quartet, Kemp Recital Hall, Illinois State University, Normal, Illinois. 7:30 p.m.

Mar 1 Sara (solo piano, 2002) and To Be Sung on the Water (1989). Judith Bettina, soprano and James Goldsworthy, piano. New Life Presbyterian Church, Salem, Virginia. 7 pm.

Apr 3 Colloquium, Berklee School of Music, Boston, Massachusetts.

Apr 18 Blue Horizon (piano solo, 2013 *premiere*). Holly Roadfeldt, piano. Lafayette College, Easton, Pennsylvania.

Apr 27 Symphony No. 7 (orchestra, 2017 *premiere*). New England Philharmonic, Richard Pittman, conductor. Tsai Performance Center, Boston, Massachusetts.

May 31 Twîfff (prélude #55 *premiere*). Donald Berman, Bargemusic, New York, New York.