In no particular order
Piece for two pianos eight hands, no waiting.
Commission for sinfonietta from Grossmann Ensemble, University of Chicago. For fall 2018. Begun, May, 2018. Completed July, 2018, 20 minutes. Premiere, December 7, 2018.
Pierrot plus percussion piece (sigh) for New York New Music Ensemble. Started at Yaddo, October 2017. Finished November, 2017, 22 minutes, and called Dream Logic. Premiere by New York New Music Ensemble December 17, 2018.
Symphony #7 for NEPhil.
Violin concerto for Danielle Maddon and the New England Philharmonic for 2016-17. 18 minutes, one per year she's been concermistress.
Piece for Boston Chamber Music Society for April 9, 2017 premiere. String quartet plus oboe. Oboist is Peggy Pearson. Finished in mid August 2016. It is 23 minutes and a lot of notes. Premiere happened April 9, 2017 in Sanders Theater.
Pierrot plus percussion piece (sigh) for Boston Musica Viva for fall 2016. As of April 27, 2016, finished and called Arabesques I Have Known. Premiere was September 24, 2016.
Ten instruments piece for Fifth House Ensemble designed modularly so it can be brought with instrumental subsets into schools. In limbo.
Préludes Book VI (gibberish titles),
Préludes Book VII (names of colors titles), finished.
Préludes Book VIII (spices),
Préludes Book IX, (plants in our yard)
Préludes Book X, (fragments from popular sayings)
Prism Quartet and Iridium Quartet have both recorded Compass. Prism's CD dropped in September 2017. Iridium's dropped as streaming in October, 2018, physical September, 2019.
Études Volume 4 on Bridge Records mastered, liner notes written,
"Stolen Moments", BMOP/sound 1048, released in digital form August 2016. Physical CD released in late August 2016.
Three préludes for Sarah Bob (#18, #48, #51) were recorded by her at WGBH on May 27, 2016. First edits have happened. Final edits have happened. Part of #18 is to be re-recorded. Released, September 2019.